Song of Songs, which is a “book” of the Bible, actually has more in common with Handel’s Messiah or Puccini’s Tosca than any prose work of the Old Testament—it’s a libretto, a record of the words sung in a musical or opera. While this song is certainly the longest libretto in the Bible, it is not the only one. The Book of Psalms is replete with them; and they often open with directions for musical instruments such as in Psalm 4, which begins, “For the worship leader. A song of David accompanied by strings.” Song of Songs lacks such instrumental direction; but through the poetic phrasing and pronoun usage, three distinct vocal parts are inherently identifiable: the female lover (who would sing soprano), the male lover (who would sing tenor), and the observing young women (who would function as the chorus). Even without the musical score, it is possible to imagine these actors breathing life into the libretto on a great stage.